Latest – Page 8 5z1z30

  • Pretty Red Dress
    Reviews

    ‘Pretty Red Dress’: London Review 1137g

    2022-10-10T12:30:00Z 5c5953

    An ex-con explores his true self in Dionne Edwards’ exhilarating feature debut

  • Klokkenluider
    Reviews

    ‘Klokkenluider’: London Review 1ia1m

    2022-10-10T11:13:00Z

    Actor Neil Maskell makes his directorial debut with a whistleblower drama set in Belgium

  • The Origin
    Reviews

    'The Origin’: London Review 6k5d6s

    2022-10-06T21:35:00Z

    A group of our Palaeolithic ancestors does battle against an unseen enemy in Andrew Cumming’s Stone Age chiller

  • Lady Chatterley's Lover
    Reviews

    ‘Lady Chatterley’s Lover’: London Review 206i5m

    2022-10-06T08:04:00Z

    The mistress and the gamekeeper meet again in this steamy Netflix adaptation of DH Lawrence’s classic romance

  • ROALD DAHL'S MATILDA THE MUSICAL - Unit_18128RC2
    Reviews

    ‘Roald Dahl’s Matilda The Musical’: London Review j2y7

    2022-10-06T04:30:00Z

    Matthew Warchus drives the Tim Minchin show from stage to screen for Working Title

  • Great Yarmouth - Provisional Figures
    Reviews

    ‘Great Yarmouth - Provisional Figures’: San Sebastian Review v2c1i

    2022-09-21T11:31:00Z

    Portuguese director Marco Martins presents a damning look at immigrant life in modern Britain

  • What's Love Got To Do With It?
    Reviews

    ‘What’s Love Got To Do With It?’: Toronto Review 3mp1j

    2022-09-14T09:54:00Z

    Shekhar Kapur makes his return to the big screen with this Anglo-Asian romantic comedy 

  • The Wonder
    Reviews

    ‘The Wonder’: Toronto Review 1p1g1q

    2022-09-14T09:25:00Z

    Florence Pugh impresses again in Sebastian Lelio’s adaptation of Emma Donoghue’s atmospheric novel

  • Empire Of Light
    Reviews

    ‘Empire Of Light’: Toronto Review b3u6a

    2022-09-12T15:30:00Z

    Olivia Colman and Micheal Ward shine in Sam Mendes’ sentimental ode to the power of cinema

  • My Policeman
    Reviews

    ‘My Policeman’: Toronto Review 276v36

    2022-09-12T01:00:00Z

    Emma Corrin and Harry Styles navigate a 1950s love triangle in Michael Grandage’s tasteful adaptation of Bethan Roberts’ novel

  • The Lost King_Dir Stephen Frears
    Reviews

    ‘The Lost King’: Toronto Review 5y191r

    2022-09-11T07:21:00Z

    A further exhumation of the King in the carpark from director Stephen Frears and stars Sally Hawkins and co-writer Steve Coogan

  • 'A Gaza Weekend'
    Reviews

    ‘A Gaza Weekend’: Toronto Review 5ifk

    2022-09-10T23:18:00Z

    Basil Khalil’s feature debut finds the humour in a couple hiding out from a mutant virus in the Gaza Strip

  • The Hanging Sun
    Reviews

    ‘The Hanging Sun’: Venice Review u1b70

    2022-09-10T19:00:00Z

    UK/Italian Jo Nesbo adaptation from Sky closes out the 79th Venice Film Festival with a thud

  • 'Emily'
    Reviews

    ‘Emily’: Toronto Review 514l6m

    2022-09-10T03:45:00Z

    Emma Mackey is luminous in s O’Connor’s distinguished biography of the ‘Wuthering Heights’ writer

  • The Swimmers
    Reviews

    ‘The Swimmers’: Toronto Review 2v1n3

    2022-09-09T03:30:00Z

    Sally El-Hosaini’s striking real-life drama opens the 47th Toronto International Film Festival 

  • The Son
    Reviews

    ‘The Son’: Venice Review 381p

    2022-09-08T06:15:00Z

    Florian Zeller follows up ‘The Son’ with another family drama, starring Hugh Jackman and Vanessa Kirby

  • THE ETERNAL DAUGHTER
    Reviews

    ‘The Eternal Daughter’: Venice Review 3e103n

    2022-09-06T14:45:00Z

    Joanna Hogg and Tilda Swinton reteam for another resonant, personal work

  • Nezouh
    Reviews

    ‘Nezouh’: Venice Review 396v71

    2022-09-03T19:00:00Z

    Soudade Kaadan’s second feature is a delicate drama about a family in war-torn Syria

  • 'Padre Pio'
    Reviews

    ‘Padre Pio’: Venice Review 55261f

    2022-09-02T14:45:00Z

    Shia LaBeouf leads Abel Ferrara’s compelling historical drama about a canonised Franciscan Capuchin friar

  • BLUE JEAN
    Reviews

    ‘Blue Jean’: Venice Review 2i2d3

    2022-09-01T17:25:00Z

    Georgia Oakley’s impressive debut, set in the UK during the introduction of Section 28, features a knockout performance from Rosy McEwen